That’s owing in part to the album’s genesis. “I had a better idea of the sound that was working for this record and what it was turning into as I was writing the songs,” he says. In fact, much of Helium is the result of what he calls “a much clearer mental state” than the one he’d experienced shortly following Fresh Air’s completion. Which isn’t to say that Sagar is unmoored in his own world. The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream. Everyone Sagar encounters here - including himself - seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). It’s not hard to picture the narrator of these songs as a distinctly Murakamian character: He moves through time by himself, bemused by and insulated from a world he doesn’t quite seem to have been made for. Sagar began writing Helium shortly after completing Fresh Air, and in the middle of what he calls a “binge” reading of Haruki Murakami. It’s a feeling that comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Landscape that he once viewed from a distance now forms the bedrock of his sound, and from here, he looks back out at the world as if through a light fog, composing songs that feel grounded and intimate, even as they explore a dispersed feeling of isolation. Now, with Helium, Sagar is putting down roots in aesthetic territory all his own. Over his first three albums, Sagar followed his own idiosyncratic vision, a journey that’s taken him from sturdy guitar-based indie-pop to, on 2017’s Fresh Air, a bleary-eyed take on lo-fi R&B. At least, that’s the operating principle behind Homeshake, the recording project of Peter Sagar. Landscape that he once viewed from a distance now forms the bedrock of his sound Read Full Bio When you walk alone, you’re never lost. Suggest a correction in the comments below. She will be gone for a long time, and the thought of not having her around is unbearableĭespite my desperation to keep her by my side, she is not obligated to stay with me or hold me downĬontributed by Muhammad S. I am feeling sick and unable to eat, and my mind is consumed with thoughts of my partner leaving meīeing alone tonight is not an option for me, as I can't imagine living without her presence Hanging round, feeling far too ill to eat I am just sitting here with my socks and sneakers on, feeling lost and confused Sitting round, socks and sneakers on my feet I can't bear the thought of spending the night alone without her by my side With a sad expression on my face, I realized that my significant other left me without saying goodbye Hanging frown, My baby left before i dressed I turn round, something's missing from my bedĪs I flipped over my bed, I noticed that my partner was no longer present The song conveys feelings of vulnerability, loneliness, and co-dependency, which makes it relatable to many listeners. The line "she'll be gone, so long, she won't hold me down" acknowledges that his partner has left him for good and he has to learn how to exist on his own. He is resigned to the fact that she won't be around, and he will be alone for the night. The second verse shows how the man is trying to cope with the situation by getting dressed, although he feels too sick to eat. The line "she can't leave me here alone tonight" reveals his fear of being alone at night, maybe because of some past experience or trauma. The hanging frown signifies his sadness and disappointment at her departure. The first verse talks about how something is missing from his bed, indicating that he has woken up alone. The song portrays his fear and despair that she has left him alone at night, revealing his dependence on her. The lyrics of Homeshake's She Can't Leave Me Here Alone Tonight are about a man who wakes up to find his partner has left him before he woke up.
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